About

Photo of Susanna by Sofia Fredricks SprungPhoto by Sofia Fredricks Sprung

Susanne Sundfør continues the expansion of her musical universe with her new album, The Silicone Veil (2012), a follow-up to the critically acclaimed, platinum-selling The Brothel (2010), which spent 30 weeks in the Norwegian album charts and sold more than 40 000 copies.

Where The Brothel was seen to gravitate towards a dark, cold and closed musical expression, The Silicone Veil contains melodies that hint of warmth and fullness, bound in multifaceted and complex soundscapes. The album lyrics, however, point in a different direction: towards despondency and the loss of illusions, faith and hope. They explore our inability to understand the difficult times we find ourselves in and appreciate the consequences of the lives we are leading, rather than denying them.

Thematically, The Silicone Veil centres on the blurred boundaries between one state of being and another, between life and death, between people, and between us and the Earth. As Sundfør summarises it: “Apocalypse, death, love and snow”

First single taken from the new album, White Foxes, was immediately well-received by critics, bloggers and tweeting fans across the world by release. The track is in many ways a musical bridge and a natural extension of the soundscape from The Brothel.

The White Foxes video combines two worlds that are essential to my upcoming album, The Silicone Veil: The ancient world: forests, ruins, and the contemporary world: technology, silicone. And everything is covered in snow, just like in The Dead by James Joyce. We are all in capsules. - Susanne